Easily one my most high-impact articles on the art market, because of New York magazine's reach and the provocative headline - 'Five Theories On Why the Art Market Can’t Crash - and Why it Will Anyway'. But maybe most of all because I voiced something many people thought but very few said: That the art market was operating in unprecedented and sometimes illogical ways. o be honest I thought I would lose a lot of friends when this came out. Actually it made me more popular, because I had raised the topics others were skirting.
